“I have been bitterly denounced, first, for killing Lobo;
second, and chiefly, for telling of it, to the distress of many tender hearts.
To this I reply: In what frame of mind are my hearers left with regard to the
animal? Are their sympathies quickened toward the man who killed him, or toward
the noble creature who, superior to every trial, died as he had lived,
dignified, fearless, and steadfast?”
Ernest Thompson Seton
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| Wolf drawings by ETS |
Seton’s published account of the Lobo story came out in the
November 1894 issue of Scribner’sMagazine – ten months after the wolf’s death. Repackaged with other stories
late in 1898, his book Wild Animals I
Have Known became an immediate best seller. The book has remained in print
to this day. The story of Lobo and Blanca was featured in the 2008 BBC/PBS Nature documentary “The Wolf That
Changed America.”
But what of Seton’s personal story? On the day of Lobo’s
death Seton made ready to leave New Mexico, a sudden and unexpected change of
plans. Somehow, having touched Lobo and looked into his eyes, the wolf hunter
could not bring himself to hunt another wolf. Ever.
I have told of Seton’s personal transformation from wildlife
killer to wildlife protector in Ernest
Thompson Seton, The Life and Legacy
of an Artist and Conservationist so need not repeat all of it here. Yet it
is important to point out that if one were to read the Lobo story while knowing
nothing else of Seton, its complete meaning would be missed. Readers of the
late 19th and early 20th century were able to follow the
progress of his personal development through what he wrote. Seton became ever
more adamant about the need to protect wild nature, so much so that he became,
along with John Muir and Theodore Roosevelt, one of the godfathers of today’s
environmentalism.
Another way to put this is that the three month period
covered in the Lobo story is but one part – although probably the most
important – in a longer journey made from his time growing up on the Canadian
frontier to his final years teaching the principles of Lifecraft in Santa Fe. The
man who hunted Lobo and Blanca later came to bitterly denounce the wanton and
senseless destructions of our wild relatives.
The importance of this relatively short period to the longer
struggle of developing a consciousness about animals has a literary antecedent,
another, much earlier tragedy.
You may recall that the Iliad
of Homer describes a scant two weeks of the ten year Achaean siege of Ilium –
or two weeks of twenty years if one includes the subsequent travels of
Odysseus. (The Achaeans were Hellenistic peoples of the heroic Mycenaean period
when the gods of Olympus were believed to have taken an active role in the
lives of men at the siege of Troy and elsewhere. Subsequently, following the mysterious
fall of Mycenae, the gods retreated and these peoples became recognizable in
history as Greeks.) Two warriors, Achilles and Hector, representing their
respective armies, are pitted against one another. They have (at the start at
least) no special antipathy for one another, nor do they have any reason to be
at each other’s throats except that terrible circumstances have brought them
together. Achilles is fated to win their deadly competition because of his
special advantages, but this does not change the pathos of the humiliating and
ultimately pointless death of Hector. Under the circumstances, there is no honor
in the way Achilles kills Hector, although Achilles is otherwise an honorable
man by the standards of his time.
The great warrior wolf Lobo wants nothing of this war with
the invincible Seton, who for his part, holds no antipathy for Lobo; their conflict
is for Seton just a job he has traveled to from a far away land. In the Lobo
story, Seton gives us a hint that his attitude towards wolves in general (and
about Lobo in particular) is already beginning to change – but that is all we
see here, just a beginning of a change in consciousness. It is in the 1901 Lives of the Hunted that Seton seems to
recognize the shallowness of his victory. (See quote above.) In 1905, he tells
of witnessing another wolf hunt, but one in which he refuses to participate,
“Badlands Billy: The Wolf that Won,” in Animal
Heroes. If we can extend the Iliad analogy for a moment, Seton,
Odysseus-like, continues his journey home (to a new level of consciousness)
through a journey of many more years.
It is only by knowing this sequel that we can understand the
meaning of Seton’s life. The death of Lobo changed first Seton and then the
world. I am tempted to write that maybe, knowing the outcome of Seton’s
journey, we can begin to forgive him for his murder of Lobo. Or maybe not.
Seton did not ask our forgiveness for his heinous act against the wolf. But
without Lobo, there would have been no Seton Legacy. Seton learned important lessons about
himself and about wildlife from his three months in New Mexico. One could read
the balance of his life as a kind of atonement.
I hope that in another 3000 years, just as for us now when
the Achaeans are better known in legend than in fact, when our civilization is
for the people of that time more mythical than real, that the story of Lobo and
Blanca will live on as the greatest nature story of the era when still the howl
of the wolf could be heard in the West and was its most beautiful sound.
Please send this on to others who might be interested in
Seton or wolves.
Text copyright 2012 David L.
Witt
David, I enjoyed your latest blog and how you related the Lobo killing to Achilles killing Hector. As well as Seton being a modern-day Odysseus raising his consciousness on his return home (to New York or later his last home in Santa Fe). I think Seton recognized at the end of his life that Consciousness is hidden in all things as the essence of all things. The consciousness he saw burning in Lobos's eyes was indeed the flame that kindled Seton's recognition that he had just done violence to a part of himself.
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